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    工业设计外文资料翻译--绿色设计与情感回归.doc

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    工业设计外文资料翻译--绿色设计与情感回归.doc

    1、毕业设计(论文)外文资料翻译系 别: 艺术与设计系 专 业: 工业设计 班 级: 姓 名: 学 号: 外文出处: DONALDA.NORMAN 附 件: 1. Green design and emotional return 2. 绿色设计与情感回归 2013年03月 附件:1. Green design and emotional return Green design is a late 20th century, there at the moment 80 international design trends. As early as the late 20th century,

    2、60 well-known industrial designer and educator-dimensional multi-Peipanike on the publication aroused strong repercussions in the design world works is designed for real-life, presented in the book and the public at the time different points of view, he considered that the things around us are creat

    3、ed by designers, designers in the Marketing and customer satisfaction is not only just play beautify the role of the designer should also be emphasized that the social and moral ethicsWorth . Far-reaching impact of this book has continued to this day. Into the 21st century, because of the worlds gov

    4、ernments on environmental issues seriously. The establishment of laws and regulations relating to environmental protection, competition among enterprises, making with the idealism of green design step by step with the trend of practical significance. Based on the attention and understanding of envir

    5、onmental issues, people from the 20th century, 60s too radical a green movement, developed to present a relatively mature green consumption behavior, which is green design has brought new opportunities. The main planning as a product designer and creator of the product at all stages of the environme

    6、ntal issues will have a direct and indirect effects. In particular,often by their decision to use the product key materials, products, how to make? Adopt in a special surface treatment method to achieve the final surface effect? Products How to use? How to deal with the waste after use? Whether to u

    7、se recyclable or re - use of materials? design players a decisive role in many issues. More importantly, designers connecting link between the product and people. They can lead and change the way people use products, while responsible for these products and services.Designed to influence peoples lif

    8、estyles and socio-cultural changes. It has gradually grown accustomed through the design to reflect their social status and personal taste. Design is consumerism of the promoter of products from style planned obsolescence, speed up the pace of product replacement. Design is also involved in advertis

    9、ing activities, thus further boosting consumer spending. Is designed to make social and cultural changes took place, while the majority of them represents a certain lifestyle, so in theory, green lifestyle could also be that people praise and follow, this lifestyle is not unusual to be frugal, but i

    10、s to promote a low-key and simple way of life as much as possible. The commercial value of Industrial Design increasingly recognized and valued by a number of manufacturers, designers in a number of the companys R & D department has been entrusted with the task, all this allows designers to have

    11、 the opportunity to demonstrate their ability to deal with environmental issues, as well as environmental issues, ethical a sense of responsibility.Green design from the scope of non-mainstream areas to expand into the mainstream. With the Green Design approach and the associated name of the many pe

    12、ople in this article follow the common concepts, collectively referred to as the design from an environmental point of view of the design method for green design. Green design focuses on the impact of nature and the resolution of certain individual issues, such as resource and energy efficiency, red

    13、ucing waste through recycling and so on. In some developed countries, abandoned most of metals and plastics can now be sorted and recycled, or re-use of the sorting carried out. To enhance household garbage sorting and emerged in the product design, waste management has become one of the hot contemp

    14、orary industrial design. Eco-design, also known as life cycle design, namely the use of ecological thinking, in the product life cycle, to give priority products environmental attributes, in addition to considering the product performance, quality and cost, but also take into account the product rec

    15、overy and processing. The product must also take into account the economic, functional and aesthetic factors.Product eco-design its basic theoretical foundation of industrial ecology in the theory of industrial metabolism and life cycle assessment. Sustainable design is a broader design approach tha

    16、n the earlier ones. Involved in more aspects, such as the nations future development phase and the sharing of resources in the development of future generations, how to ensure the functionality of the product at the same time, reducing the burden on the entire planet. A typical theory is to improve

    17、the efficiency of products, while promoting the services associated with development of the system: To study the products of the necessary functions for the user to extend the life of the product; for product development of the sustainability of the overall system design, rather than just the design

    18、 of the product itself is more important.The focus of sustainable product design, product life-cycle impact of external factors analysis. In addition, thereis other product design optimization method. Such as environmental materials (recyclable and recycled materials) use. Studies have shown that, i

    19、n order to change the impact on the environment of the wasteful consumption of the status quo, to the earths resources for sustainable development in the consumption level of development, our long-term goal should be to strive to build stronger long-term with the product links. For these originally,

    20、 in the development of environmentally friendly products to extend the life of the product is more important than other strategies, while also encouraging consumers to form sustainable, long-term consumption patterns. Designer is also the founder of design style and taste, the product of the visual

    21、image of environmental protection will also have an indirect impact.Is mainly reflected in the product lifetime of two aspects of the relative choice of materials. Because people in the past way of life caused by a large number of product varieties obsolete, and the frequent replacement of the speed

    22、 of products for environmental protection had a bad effect, if they can extend the product life time, we can reduce the unnecessary waste of resources. Studies have shown that in promoting existing products obsolete, consumers of psychological factors and materials play an important role. Relative p

    23、rosperity in the material economy of today, often likes and dislikes of consumers for some products directly to determine the life. In some point of view, green design cannot be seen as a style of performance.The success of green design products from the designer a high degree of awareness of enviro

    24、nmental issues, and in the design and development process, designers and relevant organizations to use the experience, knowledge and creativity of crystallization. At present there are several general design themes and trends: 1) The use of natural materials in order to raw form of furniture product

    25、s, building materials and fabrics to be reflected and utilized. 2) The nostalgia of the simple style, well into the high tech factor, allowing users to find product is amiable, warm. 3) Utility and energy conservation. 4) Emphasized the use of the material economy, get rid of useless features and pu

    26、rely decorative style, and create vivid shape and return to the classic simplicity. 5) The multi-purpose product design, changes can increase the fun by design, to avoid boredom and replacement needs; it can upgrade, update, by as little as possible to use other materials to extend the life; the use

    27、 of add-on smart or dismantling components. 6) The products and services, the non-materialistic. 7) The combination of design and cycle schemes. We do not simply believe in a clear recyclable materials, the product will certainly be a green product, because the product recyclability of products may

    28、become obsolete to accelerate the speed of an excuse, people have recognized the appearance of recyclable materials, the degree may also be would have an impact on product sales.When the Green Design gradual integration into the mainstream product design, designers face is not only a small number of

    29、 green fanatics, but ordinary consumers. If you only focus on the design functionality, while the neglect of the aesthetic needs of the user, you cannot extend the product life. People-oriented design ideas from the European Renaissance of the humanitarian ideology. To promote care of people pay att

    30、ention to people, people-centered world view. In terms of modern product design, human-centered thinking that is the core of the design process, the coordination of product - social - environment relationships between these three. Of human knowledge and transform the nature, purpose is simply to cre

    31、ate a good human being living conditions and environment for development. However, this simple truth, have repeatedly been vague and misinterpreted. In the past quite a long period of time, peoples respect through a variety of activities are acts of science and technology as a means to conquer natur

    32、e for the purpose, to growth of material wealth as the driving force of the traditional development model, to a certain extent, the destruction of human Lai basis in order to survive, people at the same time trying to conquer nature, often become the object of being a natural punishment. Large indus

    33、trial era machinery of industrial product is a very typical example, their presence to meet peoples material needs, can bring with it more of an emotional loss and the living environment of the hit. Repeatedly by natural warnings, people began to realize that the essence of people-oriented is a real

    34、 concern of humanity, people started digging people and the harmonious relationship between society and nature. The product design, product-oriented pursuit of emotional and humane products emphasize the purpose of people-oriented under the natural. And people - society - environment, harmonious rel

    35、ations in product design can also be understood as personal qualities - products - emotional harmony. Materials, environmental protection, technology is simple, beautiful shape, making excellent products is the people really psychologically acceptable. Second, the values of stress also contributed t

    36、o people for emotional awareness. In the past quite a long period of time, the design process is seen as an artistic process, the artists aesthetic choices to replace the more often the user can only be passively accepted. Such an outcome, making the distance between the product and the user has bec

    37、ome increasingly alienated, people even do not feel the product, with any function other than to enjoy. The feelings of the people and therefore become numb up. As the market changes in the mode of operation, the users thinking of a more active participation in the design process, the designer is no

    38、 longer an artist, a professional designer should be to reconcile a variety of design factors. The pursuit of good design is the recognition of values, ideas of resonance, emotional touch. Thoughts on design-related emotions also were born in the fertile soil where the values set. In addition, the d

    39、esign of the regional culture and promote the protection of people also reflects the concern for the feelings. Design is no longer the pursuit of volume, standardization brought about by a single aesthetic, but to diversify into account. The emotional needs of the design was gradually realized that

    40、it was multi-directional. Regional differences in the deposition as well as the name of ethnic culture, customs and practices which are in the design to be discussed and explored. In the end, be able to reflect the name of ethnic identity and personality of the product is designed for success storie

    41、s. This is the design of emotion-oriented evidence. Of modern product design, product and make people aware of the relationship between communication, the design also focused on how to locate the user objects emotional needs and how to express such feelings, the design of various forms of emotional

    42、factors for considerations change is more comprehensive than ever. If the design theory for the design of the improvement means that people re-think, then the birth of a new design type is the most realistic and practical needs and the most direct response is all about. More and more on the emotiona

    43、l issues were referred to the process of designing for, so people were the design, interface design, interaction design, accessible design, and so a series of related to the design of communication and emotional way of thinking has been more and more to attention and research, and ultimately applied

    44、 to the design and production process. Product design and all kinds of psychology, sociology and other disciplines related to human characteristics of the study of collaborative research between the guidance has become an important part of the design. Conclusion Whether the product design and develo

    45、pment from the vertical profile view, or from the horizontal status of a modern product design, look at the relationship between the various disciplines, Emotional Design has undoubtedly become a contemporary design, one of the most popular topics. People gradually realize that product design proces

    46、s, designers of the product of the soul to give the process is essential. Here the soul refers to the expressed product, and can communicate with the user-generated emotions. In other words, modern product design should be a planning activities related to emotion, early stage of development is no lo

    47、nger a simple physical modeling process. Its entire design process, a certain sense, is a physical emotional process. Contemporary designers should also be taken fully into account in the design of emotional factors, grasp the emotional positioning, designed to communicate with the real products. Su

    48、ch a materialistic in the modern information era of rapid change, ddemand for the emotional satisfaction of a period of time than ever before are obviously urgent. Designers will face more challenges and responsibilities of a good design to meet the function, on the basis of serving other, and more are expected to return is the emotional. The requirements of sustainable development of society indicates that green design remains will be the 21st century, one of the hot industrial design. In order to r


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